mercredi 25 mars 2015

If William #Shakespeare Had WrittenStar Wars

If William Shakespeare Had WrittenStar Wars

“In time so long ago begins our play / In star-crossed galaxy far, far away.”
Though William Shakespeare regularly dominates surveys of the greatest literature of all time, he remains a surprisingly controversial figure of literary history — while some believe The Bard profoundly changed modern life, others question whether he wrote anything at all. Doubts of authorship aside, one thing Shakespeare most certainly didn’t write is the cult-classic Star Wars — but he, as Ian Doescher brilliantly imagines, could have: Behold William Shakespeare’s Star Wars (public library), a masterwork of literary parody on par with the household tips of famous writers andEdgar Allan Poe as an Amazon reviewer.
Accompanying Doescher’s sonnets are ominously beautiful illustrations by Paris-based artist Nicolas Delort.
William Shakespeare’s Star Wars is delightful in its entirety and the best thing since Star Wars reimagined as a Muppets comic.

Mozart’s Magnificent Love Letter to His Wife

“If people could see into my heart I should almost feel ashamed.”
It’s hardly surprising that humanity’s most beautiful minds — the creative visionaries who bequeath us with the finest works of art, music, and literature — should also be the ones who author the most bewitching love letters, that highest form of what Virginia Woolf called “the humane art.” One particularly heartwarming specimen of the genre comes from Wolfgang Amadeus Mozart (January 27, 1756–December 5, 1791) — doubly so for the unusual start of the romance that would become the love of his life.
In late 1777, Mozart fell in love with Aloysia Weber — one of four daughters in a highly musical family. Despite the early cultivation of his talent, he was only just beginning to find self-actualization; she, on the other hand, was already a highly successful singer. (A century later, another great composer — Tchaikovsky — would tussle with the same challenge.) Despite her initial interest, Aloysia ultimately rejected his advances.
Over the next few years, Mozart established himself not only as the finest keyboard player in Vienna, but also as a promising young composer. When the father of the family died in 1782, the Webers began renting their house to lodgers to make ends meet. Young Mozart moved in, and soon fell in love with Constanze — the third Weber daughter.
On August 4, 1782, the two were married and remained together, very much in love, until Mozart’s death nine years later.
Shortly before his sudden death, in a letter from September of 1790 found inLove Letters of Great Men (public library) — a collection of romantic correspondence featuring Lord Byron, F. Scott Fitzgerald, James Joyce, Voltaire, Leo Tolstoy, and dozens more lovers of letters — Mozart writes to Constanze from Frankfurt, where he had gone seeking gainful employment to remedy the family’s financial downturn:
Dearest little Wife of my heart!
If only I had a letter from you, everything would be all right…
Dearest, I have no doubt that I shall get something going here, but it won’t be easy as you and some of our friends think. — It is true, I am known and respected here; but, well — No — let us just see what happens. — In any case, I do prefer to play it safe, that why I would like to conclude this deal with H… because I would get some money into my possession without having to pay any out; all I would have to do then is work, and I shall be only too happy to do that for my little wife.
After a getting a few more practical matters out of the way, Mozart fully surrenders to the poetical:
I get all excited like a child when I think about being with you again — If people could see into my heart I should almost feel ashamed. Everything is cold to me — ice-cold. — If you were here with me, maybe I would find the courtesies people are showing me more enjoyable, — but as it is, it’s all so empty — adieu — my dear — I am Forever
your Mozart who loves you
with his entire soul.
But even lovelier than the signature is the part that comes after it. Mozart violates in the most endearing of ways Lewis Carroll’s rule about postscript and writes:
PS. — while I was writing the last page, tear after tear fell on the paper. But I must cheer up — catch — An astonishing number of kisses are flying about — The deuce! — I see a whole crowd of them. Ha! Ha!… I have just caught three — They are delicious… I kiss you millions of times.

Albert Camus on #Happiness and #Love, Illustrated by Wendy MacNaughton



“If those whom we begin to love could know us as we were before meeting them … they could perceive what they have made of us.”
In this new installment of the Brain Pickings artist series, I’ve once again teamed up with the wonderfully talented Wendy MacNaughton, on the heels of our previous collaborations onfamous writers’ sleep habits, Susan Sontag’s diary highlights on love and on art, Nellie Bly’spacking list, Gay Talese’s taxonomy of New York cats, and Sylvia Plath’s influences. I asked MacNaughton to illustrate another of my literary heroes’ thoughts on happiness and love, based on my highlights from Notebooks 1951–1959 (public library) — the published diaries of French author, philosopher, and Nobel laureateAlbert Camus, which also gave us Camus onhappiness, unhappiness, and our self-imposed prisons.
The artwork is available as a print on Society6 and, as usual, we’re donating 50% of proceeds to A Room of Her Own, a foundation supporting women writers and artists. Enjoy!
If those whom we begin to love could know us as we were before meeting them … they could perceive what they have made of us.
When love ceases to be tragic it is something else and the individual again throws himself in search of tragedy.
Betrayal answers betrayal, the mask of love is answered by the disappearance of love.
For me, physical love has always been bound to an irresistible feeling of innocence and joy. Thus, I cannot love in tears but in exaltation.
The loss of love is the loss of all rights, even though one had them all.
Those who prefer their principles over their happiness, they refuse to be happy outside the conditions they seem to have attached to their happiness.
It is not humiliating to be unhappy. Physical suffering is sometimes humiliating, but the suffering of being cannot be, it is life.
The end of their passion consists of loving uselessly at the moment when it is pointless.
At times I feel myself overtaken by an immense tenderness for these people around me who live in the same century.
I have not stopped loving that which is sacred in this world.

samedi 20 septembre 2014

George Bernard Shaw on Marriage, the Oppression of Women, and the Hypocrisies of Monogamy


“Promiscuity is a product of slavery and not of liberty.”
For Charles Darwin, matrimony was the victor of a careful and comical weighing of pros and cons; for Susan Sontag“an institution committed to the dulling of the feelings”; forCharles and Ray Eames, a fairy tale of creative partnership; for Amelia Earhart, the product ofmedieval ideals which she was unwilling to endure; for Dan Savage, an institution thatdesperately needs remoralizing; for Edith Windsor and thousands like her, a cherished human right the denial of which is a death to every personal dignity and the granting of which cause for the highest public celebration.
This layered and often conflicted nature of marriage as a legal institution is what legendary Irish playwright and London School of Economics founder George Bernard Shaw (July 26, 1856–November 2, 1950) — who is the only person to have been awarded both a Nobel Prize in Literature and an Oscar, and who far more memorably once crashed his bicycle into Bertrand Russell’s — explores in his 1908 play Getting Married (public librarypublic domain), using the story of a family convening for a wedding as the springboard for his meditation on what’s wrong with marriage laws, the fundamental gender inequality on which they are based, the hypocrisies of monogamy, and, above all, why divorce laws desperately need to evolve.
Shaw writes in the preface to the play:
There is no subject on which more dangerous nonsense is talked and thought than marriage. If the mischief stopped at talking and thinking it would be bad enough; but it goes further, into disastrous anarchical action. Because our marriage law is inhuman and unreasonable to the point of downright abomination, the bolder and more rebellious spirits form illicit unions, defiantly sending cards round to their friends announcing what they have done. Young women come to me and ask me whether I think they ought to consent to marry the man they have decided to live with; and they are perplexed and astonished when I, who am supposed (heaven knows why!) to have the most advanced views attainable on the subject, urge them on no account to compromise themselves without the security of an authentic wedding ring. They cite the example of George Eliot, who formed an illicit union with Lewes. They quote a saying attributed to Nietzsche, that a married philosopher is ridiculous, though the men of their choice are not philosophers. When they finally give up the idea of reforming our marriage institutions by private enterprise and personal righteousness, and consent to be led to the Registry or even to the altar, they insist on first arriving at an explicit understanding that both parties are to be perfectly free to sip every flower and change every hour, as their fancy may dictate, in spite of the legal bond. I do not observe that their unions prove less monogamic than other people’s: rather the contrary, in fact; consequently, I do not know whether they make less fuss than ordinary people when either party claims the benefit of the treaty; but the existence of the treaty shows the same anarchical notion that the law can be set aside by any two private persons by the simple process of promising one another to ignore it.
“Love is like a fever which comes and goes quite independently of the will,” Stendhal wrote in his timeless essay on “crystallization” and how love works, and Shaw admonishes against using this very state of fever as the catalyst for something as serious, and as regulated by law and custom, as marriage:
The stupidity is only apparent: the service was really only an honest attempt to make the best of a commercial contract of property and slavery by subjecting it to some religious restraint and elevating it by some touch of poetry. But the actual result is that when two people are under the influence of the most violent, most insane, most delusive, and most transient of passions, they are required to swear that they will remain in that excited, abnormal, and exhausting condition continuously until death do them part. And though of course nobody expects them to do anything so impossible and so unwholesome, yet the law that regulates their relations, and the public opinion that regulates that law, is actually founded on the assumption that the marriage vow is not only feasible but beautiful and holy, and that if they are false to it, they deserve no sympathy and no relief.
Discussing the artificiality of monogamy as law rather than choice, Shaw argues:
Monogamy has a sentimental basis which is quite distinct from the political one of equal numbers of the sexes. Equal numbers in the sexes are quite compatible with a change of partners every day or every hour. Physically there is nothing to distinguish human society from the farm-yard except that children are more troublesome and costly than chickens and calves, and that men and women are not so completely enslaved as farm stock. Accordingly, the people whose conception of marriage is a farm-yard or slave-quarter conception are always more or less in a panic lest the slightest relaxation of the marriage laws should utterly demoralize society; whilst those to whom marriage is a matter of more highly evolved sentiments and needs (sometimes said to be distinctively human, though birds and animals in a state of freedom evince them quite as touchingly as we) are much more liberal, knowing as they do that monogamy will take care of itself provided the parties are free enough, and that promiscuity is a product of slavery and not of liberty.
Later, in a section titled “Hearth and Home,” he adds:
Home life as we understand it is no more natural to us than a cage is natural to a cockatoo. Its grave danger to the nation lies in its narrow views, its unnaturally sustained and spitefully jealous concupiscences, its petty tyrannies, its false social pretenses, its endless grudges and squabbles, its sacrifice of the boy’s future by setting him to earn money to help the family when he should be in training for his adult life (remember the boy Dickens and the blacking factory), and of the girl’s chances by making her a slave to sick or selfish parents, its unnatural packing into little brick boxes of little parcels of humanity of ill-assorted ages, with the old scolding or beating the young for behaving like young people, and the young hating and thwarting the old for behaving like old people, and all the other ills, mentionable and unmentionable, that arise from excessive segregation.
In a section titled “Marriage as a Magic Spell,” Shaw goes on to debunk the false promises of marriage as a transformative tool for the nature of the relationship:
The truth which people seem to overlook in this matter is that the marriage ceremony is quite useless as a magic spell for changing in an instant the nature of the relations of two human beings to one another. If a man marries a woman after three weeks acquaintance, and the day after meets a woman he has known for twenty years, he finds, sometimes to his own irrational surprise and his wife’s equally irrational indignation, that his wife is a stranger to him, and the other woman an old friend. Also, there is no hocus pocus that can possibly be devised with rings and veils and vows and benedictions that can fix either a man’s or woman’s affection for twenty minutes, much less twenty years. Even the most affectionate couples must have moments during which they are far more conscious of one another’s faults than of one another’s attractions.
But most poignant of all are Shaw’s insights in a section titled “The Economic Slavery of Women,” where he addresses the fundamental inequality upon which the institution, as originally designed, is built and the transactional trickeries and charades they engender:
One of the consequences of basing marriage on the considerations stated with cold abhorrence by Saint Paul in the seventh chapter of his epistle to the Corinthians, as being made necessary by the unlikeness of most men to himself, is that the sex slavery involved has become complicated by economic slavery; so that whilst the man defends marriage because he is really defending his pleasures, the woman is even more vehement on the same side because she is defending her only means of livelihood. To a woman without property or marketable talent a husband is more necessary than a master to a dog. There is nothing more wounding to our sense of human dignity than the husband hunting that begins in every family when the daughters become marriageable; but it is inevitable under existing circumstances; and the parents who refuse to engage in it are bad parents, though they may be superior individuals. The cubs of a humane tigress would starve; and the daughters of women who cannot bring themselves to devote several years of their lives to the pursuit of sons-in-law often have to expatiate their mother’s squeamishness by life-long celibacy and indigence. To ask a young man his intentions when you know he has no intentions, but is unable to deny that he has paid attentions; to threaten an action for breach of promise of marriage; to pretend that your daughter is a musician when she has with the greatest difficulty been coached into playing three piano-forte pieces which she loathes; to use your own mature charms to attract men to the house when your daughters have no aptitude for that department of sport; to coach them, when they have, in the arts by which men can be led to compromise themselves; and to keep all the skeletons carefully locked up in the family cupboard until the prey is duly hunted down and bagged: all this is a mother’s duty today; and a very revolting duty it is: one that disposes of the conventional assumption that it is in the faithful discharge of her home duties that a woman finds her self-respect. The truth is that family life will never be decent, much less ennobling, until this central horror of the dependence of women on men is done away with. At present it reduces the difference between marriage and prostitution to the difference between Trade Unionism and unorganized casual labor: a huge difference, no doubt, as to order and comfort, but not a difference in kind.
In a later section, titled “Labor Exchanges and the White Slavery,” Shaw adds:
Suppose, again, a woman presents herself at the Labor Exchange, and states her trade as that of a White Slave, meaning the unmentionable trade pursued by many thousands of women in all civilized cities. Will the Labor Exchange find employers for her? … [I]f it finds honest employment for her and for all the unemployed wives and mothers, it must find new places in the world for women; and in so doing it must achieve for them economic independence of men. And when this is done, can we feel sure that any woman will consent to be a wife and mother (not to mention the less respectable alternative) unless her position is made as eligible as that of the women for whom the Labor Exchanges are finding independent work? Will not many women now engaged in domestic work under circumstances which make it repugnant to them, abandon it and seek employment under other circumstances? As unhappiness in marriage is almost the only discomfort sufficiently irksome to induce a woman to break up her home, and economic dependence the only compulsion sufficiently stringent to force her to endure such unhappiness, the solution of the problem of finding independent employment for women may cause a great number of childless unhappy marriages to break up spontaneously, whether the marriage laws are altered or not. … We may expect, then, that marriages which are maintained by economic pressure alone will dissolve when that pressure is removed; and as all the parties to them will certainly not accept a celibate life, the law must sanction the dissolution in order to prevent a recurrence of the scandal which has moved the Government to appoint the Commission now sitting to investigate the marriage question: the scandal, that is, of a great number matter of the evils of our marriage law, to take care of the pence and let the pounds take care of themselves. The crimes and diseases of marriage will force themselves on public attention by their own virulence. I mention them here only because they reveal certain habits of thought and feeling with regard to marriage of which we must rid ourselves if we are to act sensibly when we take the necessary reforms in hand.
Shaw goes on to explore the importance of loosening marriage laws and making divorce more attainable, concluding:
When it comes to “conduct rendering life burdensome,” it is clear that no marriage is any longer indissoluble; and the sensible thing to do then is to grant divorce whenever it is desired, without asking why.

Love, Sex, and the World Between

“Part of the modern ideology of love is to assume that love and sex always go together… And probably the greatest problem for human beings is that they just don’t.”
“Is sex necessary?” young E.B. White and James Thurber asked in their endlessly delightful 1929 collaboration. More than eight decades later, philosopher Alain de Botton asserted that to think more and better about sex is to reclaim our humanity. And yet for all of our musings on sex, it remains oddly disconnected from our best understanding of love.
In Susan Sontag: The Complete Rolling Stone Interview (public library) — the superb 1978 conversation with Jonathan Cott that ranked among the best biographies, memoirs, and history books of 2013 and also gave us the beloved author on the false divide between “high” and pop culture and how our cultural polarities imprison us — Sontag, one of the most celebrated minds of the last century, who spent decades contemplating love and being discombobulated over sex, zooms in with her characteristic precision on our culture’s impossible expectations of the relationship between the two:
We ask everything of love. We ask it to be anarchic. We ask it to be the glue that holds the family together, that allows society to be orderly and allows all kinds of material processes to be transmitted from one generation to another. But I think that the connection between love and sex is very mysterious. Part of the modern ideology of love is to assume that love and sex always go together. They can, I suppose, but I think rather to the detriment of either one or the other. And probably the greatest problem for human beings is that they just don’t. And why do people want to be in love? That’s really interesting. Partly, they want to be in love the way you want to go on a roller coaster again — even knowing you’re going to have your heart broken. What fascinates me about love is what it has to do with all the cultural expectations and the values that have been put into it. I’ve always been amazed by the people who say, “I fell in love, I was madly, passionately in love, and I had this affair.” And then a lot of stuff is described and you ask, “How long did it last?” And the person will say, “A week, I just couldn’t stand him or her.”
Susan Sontag's private thoughts on love, culled from her published diaries, illustrated by Wendy MacNaughton. Click image for details.
Sontag, whose timeless and often radical wisdom has addressed everything fromwhy photography is a form of violent consumerism to how to improve educationto the creative benefits of boredom to why lists appeal to us, explores platonic love as another concept loaded with cultural ambivalence:
I have loved people passionately whom I wouldn’t have slept with for anything, but I think that’s something else. That’s friendship — love, which can be a tremendously passionate emotion, and it can be tender and involve a desire to hug or whatever. But it certainly doesn’t mean you want to take off your clothes with that person. But certain friendships can be erotic. Oh, I think friendship is very erotic, but it isn’t necessarily sexual. I think all my relationships are erotic: I can’t imagine being fond of somebody I don’t want to touch or hug, so therefore there’s always an erotic aspect to some extent.
Ultimately, however, she returns to the toxic age-related stereotypes and polarities to which we subscribe as a culture, to which she points as the root of our unease about love:
Our ideas of love are terribly bound up in our ambivalence about these two conditions — the positive and negative valuations of childhood, the positive and negative valuations of adulthood. And I think that, for many people, love signifies a return to values that are represented by childhood and that seem censored by the dried-up, mechanized, adult kinds of coercions of work and rules and responsibilities and impersonality. I mean, love is sensuality and play and irresponsibility and hedonism and being silly, and it gets to be thought of in terms of dependence and becoming weaker and getting into some kind of emotional slavery and treating the loved one as some kind of parent figure or sibling. You reproduce a part of what you were as a child when you weren’t free and were completely dependent on your parents, particularly your mother.

mardi 16 septembre 2014

Nobel-winning playwright Eugene O’Neill on happiness, hard work, and success – fantastic tough-love letter to his unmotivated teenage son:

Nobel-Winning Playwright Eugene O’Neill on Happiness, Hard Work, and Success in a Letter to His Unmotivated Young Son

“Any fool knows that to work hard at something you want to accomplish is the only way to be happy.”
By the time he was fifty, playwright Eugene O’Neill had just about every imaginable cultural accolade under his belt, including three Pulitzers and a Nobel Prize. But the very tools that ensured his professional success — dogged dedication to his work, an ability to block out any distraction, razor-sharp focus on his creative priorities — rendered his personal life on the losing side of a tradeoff. Thrice married, he fathered three children with his first two wives. His youngest son, Shane, was a sweet yet troubled boy who worshipped his father but failed to live up to his own potential.
In the summer of 1939, as O’Neill completed his acclaimed play The Iceman Cometh, Shane was expelled from yet another school. Frustrated with the boy’s track record of such dismissals over the course of his academic career, O’Neill sent his 19-year-old son a magnificent letter epitomizing tough love, found in Posterity: Letters of Great Americans to Their Children (public library) — the wonderful anthology that gave us Albert Einstein’s advice to his son on the secret to learning anything, Sherwood Anderson on the key to the creative life, Benjamin Rush on travel and life, Lincoln Steffens on the power of not-knowing, and some of history’s greatest motherly advice. While heavy on the love, O’Neill’s letter is also unflinchingly honest in its hard truths about life, success, and the key to personal fulfillment.
O’Neill doesn’t take long to cut to the idea that an education is something one claims, not something one gets. With stern sensitivity, he issues an admonition that would exasperate the archetypal millennial (that archetype being, of course, merely another limiting stereotype) and writes:
All I know is that if you want to get anywhere with it, or with anything else, you have got to adopt an entirely different attitude from the one you have had toward getting an education. In plain words, you’ve got to make up your mind to study whatever you undertake, and concentrate your mind on it, and really work at it. This isn’t wisdom. Any damned fool in the world knows it’s true, whether it’s a question of raising horses or writing plays. You simply have to face the prospect of starting at the bottom and spending years learning how to do it.
O’Neill’s son seems to suffer from Fairy Godmother Syndrome — the same pathology afflicting many young people today, from aspiring musicians clamoring to be on nationally televised talent competitions that would miraculously “make” their career to online creators nursing hopes of being “discovered” with a generous nod from an established internet goddess or god. O’Neill captures this in a beautiful lament:
The trouble with you, I think, is you are still too dependent on others. You expect too much from outside you and demand too little of yourself. You hope everything will be made smooth and easy for you by someone else. Well, it’s coming to the point where you are old enough, and have been around enough, to see that this will get you exactly nowhere. You will be what you make yourself and you have got to do that job absolutely alone and on your own, whether you’re in school or holding down a job.
O’Neill points to finding one’s purpose, and the inevitable work ethic it requires, as the surest way to attain fulfillment in life:
The best I can do is to try to encourage you to work hard at something you really want to do and have the ability to do. Because any fool knows that to work hard at something you want to accomplish is the only way to be happy. But beyond that it is entirely up to you. You’ve got to do for yourself all the seeking and finding concerned with what you want to do. Anyone but yourself is useless to you there.
[...]
What I am trying to get firmly planted in your mind is this: In the really important decisions of life, others cannot help you. No matter how much they would like to. You must rely on yourself. That is the fate of each one of us. It can’t be changed. It just is like that. And you are old enough to understand this now.
And that’s all of that. It isn’t much help in a practical advice way, but in another way it might be. At least, I hope so.
Toward the end of the letter, O’Neill makes a sidewise remark that might well be his most piercing and universally valuable piece of wisdom:
I’m glad to know of your doing so much reading and that you’re becoming interested in Shakespeare. If you really like and understand his work, you will have something no one can ever take from you.
Complement Posterity with more enduring fatherly wisdom on life, including Ted Hughes on nurturing one’s eternal inner child, F. Scott Fitzgerald on what is worth worrying about in life, Charles Dickens on cultivating kindness, and Jackson Pollock on falling in love, then revisit Anton Chekhov — whose sensibility O’Neill’s is often likened to — on the eight qualities of cultured people in a letter of advice to his younger brother.

mardi 9 septembre 2014

“Friendship … has no survival value; rather it is one of those things which gave value to survival.” C.S. Lewis on true friendship – beautiful short read to welcome the new week:

C.S. Lewis on True Friendship

“Friendship … has no survival value; rather it is one of those things which gave value to survival.”
“What is so delicious as a just and firm encounter of two, in a thought, in a feeling?” Emerson marveled in his exquisite meditation on friendship. But what, exactly, is at the heart of this “just and firm encounter”?
In his insightful 1960 book The Four Loves(public library), C.S. Lewis picks up where Aristotle left off and examines the differences between the four main categories of intimate human bonds — affection, the most basic and expressive; Eros, the passionate and sometimes destructive desire of lovers; charity, the highest and most unselfish spiritual connection; and friendship, the rarest, least jealous, and most profound relation.
In one of the most beautiful passages, he considers how friendship differs from the other three types of love by focusing on its central question: “Do you see the same truth.”
Lewis writes:
Lovers seek for privacy. Friends find this solitude about them, this barrier between them and the herd, whether they want it or not.
[...]
In a circle of true Friends each man is simply what he is: stands for nothing but himself. No one cares twopence about anyone else’s family, profession, class, income, race, or previous history. Of course you will get to know about most of these in the end. But casually. They will come out bit by bit, to furnish an illustration or an analogy, to serve as pegs for an anecdote; never for their own sake. That is the kingliness of Friendship. We meet like sovereign princes of independent states, abroad, on neutral ground, freed from our contexts. This love (essentially) ignores not only our physical bodies but that whole embodiment which consists of our family, job, past and connections. At home, besides being Peter or Jane, we also bear a general character; husband or wife, brother or sister, chief, colleague, or subordinate. Not among our Friends. It is an affair of disentangled, or stripped, minds. Eros will have naked bodies; Friendship naked personalities.
Hence (if you will not misunderstand me) the exquisite arbitrariness and irresponsibility of this love. I have no duty to be anyone’s Friend and no man in the world has a duty to be mine. No claims, no shadow of necessity. Friendship is unnecessary, like philosophy, like art, like the universe itself… It has no survival value; rather it is one of those things which gave value to survival.
The Four Loves is a superb read in its entirety, provocative at times but invariably thoughtful throughout. Complement it with Andrew Sullivan on why friendship is a greater gift than romantic love and a curious history of the convergence of the two in “romantic friendship,” then revisit Lewis on suffering and what free will really meansthe secret of happinessthe key to authenticity in writing, and his ideal daily routine.